The series "Creature of Climax" was produced during my MFA degree at the University of Alberta in 2013. In this series, for the first time, I used my innovative masking technique with the use of rice paste that allows for traditionally printed techniques to be overprinted by digital image. The series was also crucial from a conceptual point of view. It excluded a direct representation of a human figure replaced by a human-made form standing in as a human replacement.
"Nature"
Photo Intaglio + Video Projection + Sound, 2013, 72″ x 96″
"Sharp as They Come"
Photo Intaglio with Digital Overprint, 36"H x 24"W, 2013
"Enter Night"
Double Pass of Digital Print 15″W x 22″H, 2013
"Darkest Freedom"
Photo Intaglio with Digital Overprint, 24"H x 36"W, 2013
"Pointing At"
Photo Intaglio with Digital Overprint, 24"H x 36"W, 2013
"Pressure"
Photo Intaglio with Digital Overprint, 36"H x 24"W, 2013
"Door Opener"
Wood + Metal + Sand, 96″ x 96″ x 96″, 2013
"Door Opener" detail
Detail Shot, Wood + Metal + Sand, 96″ x 96″ x 96″, 2013
"Crawling"
Double Pass of Digital Print 20″W x 15″H, 2013
"Black Water"
Photo Intaglio with Digital Overprint, 24"H x 36"W, 2013
"Flowers"
Double Pass of Digital Print 20″W x 15″H, 2013
"Spinning Fate"
Photo Intaglio with Digital Overprint, 36"H x 24"W, 2013
"Pretender"
Photo Intaglio with Digital Overprint, 36"H x 24"W, 2013
"Past Present Future"
Photo Intaglio with Digital Overprint, 24"H x 36"W, 2013
